Showing posts with label reviews. Show all posts
Showing posts with label reviews. Show all posts

Wednesday, 30 December 2009

Hair today


Forget all those best book, best film, best album polls: Glastonbury supremo Michael Eavis has seen off Fidel Castro and Monty Panesar to be named as Beard of the Noughties.

Also: a joint review of The Noughties and my Leonard Cohen tome in the Bangkok Post; and I’ll be popping up on Radio New Zealand some time tomorrow to chat about CCTV, Donald Rumsfeld, China and stuff. Hope to post details, links shortly.

Sunday, 20 December 2009

Making up the deficit

Had completely overlooked these kind words from the big cheese of book blogging, Scott Pack, who suggests that The Noughties “might make a good gift for an older teenager who might not have been paying attention when the decade started or for anyone interested in contemporary cultural history.”

Saturday, 14 November 2009

Misunderestimation

Short but sweet review of The Noughties at the Life On Planet Me blog.

Friday, 13 November 2009

Bon mot


The book gets plenty of coverage in the current issue of The Word magazine; not just a big review from Andrew Collins, but also part of a consideration of the Noughties (and other decades) by Jim White.

Monday, 5 October 2009

The things people say

Review of The Noughties by Chris Fox at his La Terrasse blog, alongside titles by Lipmann Kessell and Chimamanda Ngozi Adichie:
In fine contemporary fashion with not just a double but a triple title, this is a zip through the last ten years for anyone who was there but somehow felt that they missed it, like a Guardian Weekly for an entire decade. Taking us neatly from 9/11 to the credit crunch, by way of the War on Terror, climate change, US TV drama and social networking, The Noughties glides swan-like through something that feels a lot more coherent than the decade itself feels / felt. It is useful to have events prioritised and summarised, but the fragmentation of the media which is a theme of the book make this process itself seem a little old fashioned. Not that it should be old fashioned, necessarily. The conclusion talks about the shift in culture over the twentieth century, when popular culture took over from high culture, and describes where the democratising influence of the internet has taken this. And not just the internet. De-centralisation seems to touch everything: war is de-centralised by being waged upon a noun (what causes more terror than war, exactly?); news is de-centralised by being taken away from professional journalists; wealth is de-centralised by the shift in the global economy towards Asia (and de-stabilised by becoming an abstraction of an abstraction); music is de-centralised in one sense by being taken away from the music industry, and in another by its increasing disconnection from fame; even truth is outsourced to something identified here as ‘truthiness’, which is ‘the quality of stating concepts or facts one wishes or believes to be true, rather than those known to be true’ (p. 160). It is right that we do this, it is right that we do that. Some of this de-centralisation is bad, but by no means all. Either way, it is here to stay. It will be interesting to see what happens next.
Also a couple of late-breaking Amazon reviews.